Vinyl Pre-Amplifier with NE5534
Back in the 1970’s I became disheartened by audio ‘progress’, for in spite of them presenting much superior specifications, mainstream transistor amplifiers sounded worse than the tube (valve) designs they were supposed to replace. Ultralinear KT88s made good power amplifiers, but transistor circuitry could be much better for pre-amplifiers. Integrated circuits had also developed well, but these were often thought of as offering a lesser performance when compared to discrete construction.
For those who might wish to ’save’ to their computer hard-drive a digital copy of their own vinyl record collection, I have redrawn my 1975 vinyl pre-amplifier circuit. It remains capable of optimising disc playback and offers features still not repeated today.
Many designers opinionate that NFB loop controlled amplifiers are inferior because they degrade the sound, and yet I wonder what it is that these individuals think they actually listen to ? The fact is that most vinyl waveforms and CD pits, as pressed into their own disc collections, have already been mastered through a myriad of NFB loop controlled pre-amplifier and mixer stages - this long before anyone can start listening. Indeed, that Mullard developed TDA1034NB integrated circuit which initially cost me £67 for ten, went on to be used by the hundred within what became a classic series of world famous Neve mixing consoles.
Properly designed NFB loop controlled IC gain stages can set standards for excellence, and thus I separately list five elements embodied within my ‘old’ pre-amplifier design.
